- #Website x5 evolution 9 unregistered version problem full
- #Website x5 evolution 9 unregistered version problem license
Posted in post-publication peer review, Publishing, stripy revisited and tagged Moriarty, Plos One, Stirling, stripy revisited on Novemby Raphaël Lévy. (2014) Critical Assessment of the Evidence for Striped Nanoparticles. Do striped nanoparticles exist? Figure 3 from Stirling J, Lekkas I, Sweetman A, Djuranovic P, Guo Q, Pauw B, et al. A fake “Dr Wei Chen” and a fake “Dr Gustav Dhror” left 10s of comments on our article.
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As the bottom of this post ( Identity theft: a new low in the stripy nanoparticles controversy) recalls, it was too easy to create profiles & comment on papers with a false identity. Īnd the stripy nanoparticles saga tested PLOS ONE’s publishing platforms in other ways too.
#Website x5 evolution 9 unregistered version problem full
As a result, the full article, including all images, is available for reuse without license-related barriers.įinding that resolution was not so easy and we were quite frustrated at the time as this post ( How can we trust scientific publishers with our work if they won’t play fair? Julian Stirling) illustrates. The PLOS ONE team worked with the authors and the publishers of the original articles, and we were pleased that they agreed to have the images republished under the CC BY license. Why? Because the journal wanted to make all its content be available for reuse, for both humans and machines, without having to check individual figures in individual articles for the permitted uses.
#Website x5 evolution 9 unregistered version problem license
Should we ask for permission to publish the images under a single-use license or request to republish them under the CC BY license used by PLOS ONE? While the former would have been the traditional (and easier) approach, we chose to pursue the latter. But then we encountered a dilemma: the re-analysis required comparisons to images in the original publications where the journals owned copyright. The paper underwent a thorough peer review process and was accepted. This is where the first barrier went down: PLOS ONE would not reject the manuscript because it reported a re-analysis or because it relied on previously available data, the evaluation would focus on the rigor of the methodology and the validity of the conclusions. The authors had had trouble getting earlier critiques published in journals, and decided to submit the paper to PLOS ONE. The authors completed a re-analysis and critique of those findings and wished to publish their work in a journal so that it would be part of the scientific record, on the same ground as the original articles.
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In 2014 PLOS ONE handled a paper that reported a re-analysis of previous publications reporting the creation of “striped nanoparticles”. Looking back at the many initiatives and papers I was involved with during my time at PLOS, there is one article that exemplifies this goal of facilitating openness. PLOS ONE was created to remove barriers: for authors to publish their work (related to scope or perceived impact) and for readers to access and reuse scientific content. Iratxe Puebla, Associate Director at ASAPbio, remembers a time where PLOS ONE’s publication criteria and Open Access publishing model drove knowledge forward: In some cases, difficult editorial situations led to innovative solutions that further adva nced PLOS’ mission.
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Here is the relevant excerpt from the blog post To be fair, the reason for this choice has nothing to do with the merits of our article. During that period PloS One published a quarter of millions of articles containing probably ~ one million figures so I was amazed to see that the one figure included in that blog post comes from our paper on the interpretation of stripy nanoparticles images ( Stirling et al, Critical Assessment of the Evidence for Striped Nanoparticles ). PloS One has an interesting blog post celebrating 15 years since that adventure began with interviews of former member of the editorial team, Damian Pattinson, Ginny Barbour, Matt Hodgkinson, Iratxe Puebla and Joerg Heber.